The Frankenstein Monster. Micron pen (03 and 05), Pentel Pocket Brush Pen, Faber-Castell PITT B-Series Pen and Speedball Super Black acrylic ink in a 5.5" X 8.5" Daler-Rowney sketchbook. Art by Coyote Duran.
Once upon a time - I was in single digits; I reckon - my parents, younger brother and I were at a Halloween family gathering at my maternal grandparents' house in Romeoville, Illinois. My cousins Ryan and Darcy and their mom, my aunt Rita were there as well and we kids were watching "Frankenstein" on a UHF channel (probably 32, the most prominent in Chicago and its suburbs). I killed the lights in the living room and someone protested - I can't remember whether it was a cousin, my brother, mom, grandma or grandpa - but Aunt Rita interjected, "Oh, these movies are much scarier with the lights off!"
And although I've always thought that no old Universal Monsters film would ever be scary, with or without any lights, nostalgically, she was absolutely right.
See, the classic monster films were always best viewed in darkness because the manner in which they were filmed, produced and presented handled half the battle. Not unlike any other film enjoyed in the cinema, they were absolutely meant to be seen in the dark. And, honestly, who knew 94 years ago, that we'd either be watching this film in perpetuity, via reruns, streaming and home media?
No one.




